Looking for a Canon G3X vs Canon G7X Mark II comparison? You can even tap the screen to reset the focus point during movie recording. The battery is charged in an external AC unit, a traditional approach that will suit some photographers and indeed the same as on the Lumix FZ1000. I found the Canon G3X’s image quality to be very good indeed. 06/10/2015 ... Fujifilm Instax SQ20 review. I… The PowerShot G3X is Canon’s long-awaited entry into the big zoom / big sensor category, currently driven by Sony’s RX10 (Marks I and II) and Panasonic’s FZ1000. I zoomed the G3X’s lens in to 135mm equivalent and set the widest available aperture – f5 – in aperture priority mode. The same can be said of the Sony RX10 Mk II which like the Lumix FZ1000 has a 2.35 million dot OLED viewfinder. When I cropped the full resolution FZ1000 JPEG to that red rectangle the image measured 3467 x 2311 pixels or around 8 megapixels. This is my first review of a Canon product in years. In the absence of a built-in viewfinder, the sole means of composing and reviewing shots on the G3X is the 8cm (3.2in) LCD touch screen. No returned phone calls or e-mails, and no more review samples. Download the original file (Registered members of Vimeo only) That saves on precious battery power and is fine when shooting at shorter focal lengths, but when zoomed in you really need continuous mode to keep things stable enough to frame your shot. Sometimes the result can be messy or embarrassing, but at other times it can provide a fun behind the scenes video. Above left: 100% crop, 8.8-220mm at 220mm, 1/15, 125 ISO, IS off. I have tested and used many such cameras over the years because I enjoy shooting with long lenses. And it can make it hard to compose your shot if you’re zoomed in on a distant subject and the focus is set close – all you can see is a blur until you press the shutter button on your phone. However, if you need the very best in autofocus and video, other options may suit you better. It’s not blisteringly fast by any means, but it is quick enough to be able to capture a short sequence of fast moving action. Some are even useful, such  a face recognition and tracking. The Sony RX10 I and II impressively stay at f2.8 throughout their (admittedly shortest) focal range. Hence, the G3X and G7X Mark II provide the same view at the wide-angle end, but the G7X Mark II has less tele-photo reach at the long end. Alternatively you can do it from the shooting menu where you also have the option of face plus tracking AF. Above: This indoor low-light panning shot is nice and bright and you have to look closely to spot the noise. Canon 5D Mk IV. The AF wanders a little during the zoom in and things look very blurry, but it quickly sorts itself out. There’s also background defocus if you’re not satisfied with the shallow depth of field produced naturally. The first pair above shows the full frame shot. Plain-English Canon 6D User's Guide. Find out all the details in our full G5 X II review. As you can see from the crops below, the G3X can take sharp hand-held shots at speeds down to 1/15, that’s a very impressive five stops of stabilisation over what I needed to handhold the same result without stabilisation. It’s all fine, and of course the unneeded ones can be ignored. All words, images, videos and layout, copyright 2005-2020 Gordon Laing. It’s a big plus and something that neither the Lumix FZ1000 nor the Sony RX10 (Mark I or II) offer. Quick Verdict. While you miss out on the widest coverage, you do gain extra reach at the telephoto end. The G3X has a 25x optical zoom lens with an equivalent range of 25-600mm and a maximum aperture of f2.8 at the wide angle setting closing to f5.6 at the telephoto end of the range. 12,800 is not acceptable in anything above small web use. Above: Canon G3X 1/50, f5.6, 125 ISO, 220mm (600mm equivalent), Above: Lumix FZ1000 1/80, f4, 125 ISO, 146mm (400mm equivalent). Hybrid Auto mode will record short 720p clips of two to four seconds before each still photo and assemble them as a video diary of your day. (Links are to reviews of these cameras which can be found on this site). (Yes, I measured the distance with my car). On the face of it, the G3X makes a pretty capable movie camera, but crucially it lacks 4K video, something both the Lumix FZ1000 and Sony RX10 II offer. For macro photography, the G3X has a closest focusing distance of 5cm when the lens is set to wide and 85cm at the long end. That might not be an issue for screen viewing, but it does restrict your ability to make big prints. Once that’s done releasing the Frame Assist button zooms the lens back to its original position. They’re the most recent premium superzooms on the market, and they’ve got similar prices.In the left corner, we have the $1300 Sony RX10 Mark II. Above left: Canon G3X at 220mm (600mm equivalent). Announced in June 2015, the G3X slots roughly between the PowerShot G7X and G1X Mark II, but offers a unique proposition in the Canon lineup. The shade and filter adaptor work as a pair. Canon G5X Mark II (100% crop, left) vs Google Pixel 3 (100% crop, right) One area where smartphones do have the edge over one-inch compacts is special point-and-shoot modes like the Pixel … Canon 1D X Mark II Review. Side-by-side with the Panasonic Lumix FZ1000, the PowerShot G3X looks relatively compact. End of discussion. The Canon PowerShot G7 X Mark II features a … 1-inch image sensor. Above you can see stills from short video clips recorded of the same scene first with the Canon G3X and then the Lumix FZ1000. Like the EOS M3 you look towards the engraving on the top left surface hoping an electronic viewfinder will pop out, but sadly it’s only a flash. I had used this combination in Antarctica in January, 2015 and was very pleased with the results. It is a beast though when it comes to size and weight. Zoomed a long way in, even shooting relatively stationary subjects, like wading birds, for example, I found it a lot easier to keep subjects in the frame with the FZ1000’s viewfinder than the GX3’s screen. The G3X combines AF modes and continuous shooting options on the bottom position of the rear control dial. The camera is described as having 5 Axis Stabilization. Michael Reichmann is the founder of the Luminous Landscape. (Source: Canon.) The first of these is Frame Assist, which is activated by pressing a button on the side of the lens barrel when zoomed in. The screen has 3:2 proportions, matching the sensor, which means the whole of it is used to display the image and there are no black bars at the edges. But they always come up lacking, because such tiny sensors simply can’t provide the image quality that I’m looking for. The video quality is good and the stabilisation does an excellent job; with a little practice you could probably do better than my shaky effort, but unless you keep your finger on the flush mounted record button it can be difficult to relocate it by touch alone. Canon T5i. The third option from the home screen is location information which allows you to record a position track-log using your phone’s GPS and then use it to add location information to photos on the card in the camera. The GX3 also has Face ID which prioritises focus and exposure on faces it recognises. With the likely necessary accessory EVF for most photographers, these cameras cost about the same, but the Sony offers much faster shooting speeds, 4K video, and a faster aperture. Sony A7II with Tamron 150-600mm @ 600mm /////  Canon G3X @ 600mm. Kevin Raber also has this lens and is similarly happy with its performance. I can take a hint. This smaller sensor can allow not only for smaller camera bodies, but also for smaller and faster, or smaller and longer focal length designs. I much prefer Sony’s approach of connecting directly to a service and posting to it natively, but the ability to effectively post on a variety of networks is there on the G3X if you want it, and it’s surprisingly easy to tap out a caption using the screen. Maximum of 400mm for the Panasonic, but at f/4, and a maximum of 600mm for the Canon, but at f/5.6. It can also be articulated upward. Canon 60D. Comparison #2 – Canon G3X Vs. Sony A7II and Sony 70-200mm f/4 G lens. Again, this is a quite remarkable performance from the new small Canon. Read our Canon PowerShot G3 X review … Why compare these two specific cameras now? Above: Canon G3X 1/100, f2.8, 800 ISO, 8.8mm (24mm equivalent), Above: Lumix FZ1000 1/60, f2.8, 800 ISO, 9.1mm (25mm equivalent). Not exactly pocketable, while the G3X can indeed fit in a coat pocket or on a wrist strap. I enjoy doing comparisons when they’re simply for my own edification. The Canon Powershot G3 X is the latest ultra zoom camera from Canon that was previously announced as being in development, and features a 20 megapixel 1inch BSI CMOS sensor, … Press it and you can either use the physical dials or touch the screen to select one shot or Servo AF and single or continuous shooting. So while the G3X has the longest range, its aperture slows down much faster than its rivals: indeed between 164 and 200mm equivalent, the Lumix FZ1000 is one stop faster and the Sony RX10 I / II is two stops faster. Canon … The Canon Powershot G9X Mark II is a slim, pocketable compact camera with a 20MP 1-inch sensor and 28-84mm equivalent lens. Long zoom range. In Auto mode on the G3X the Digic 6 processor provides scene detection to optimise exposure for all sorts of situations with a variety of subjects in different lighting conditions. Depending on the shooting mode set on the camera, you can use the app to adjust various settings, including the aperture, shutter, ISO, drive mode and exposure compensation. Image quality from cameras with 1/2.3″ sized sensor just can’t compare to one with a 1″ sensor such as that in the G3X, and that isn’t even taking into account the truly exceptional lens quality of the new Canon or the larger sensor’s higher ISO capability. This makes it the most powerful super-zoom range with a 1in sensor – you can see the coverage at the maximum wide angle and telephoto settings below. If you do, then choosing the G3X becomes a tougher decision. In an earlier paragraph, I wrote about small sensor cameras with long reach lenses…. Canon really needs to put a faster processor in this camera. It’s hard to imagine why Canon left out this important feature. You can apply two other filter effects, Nostalgic and Monochrome, to movies. Plus, the … So even though both were set to f2.8 in aperture priority mode, the closer focus on the G3X means the background is more blurred than the Lumix FZ1000 shot. We have look at Canon's compact offering with the big lens. In fact another tester has found that “The Canon G3X slows down to f4 by 46mm and then to f5.6 by 164mm“. This camera falls into the so-called category of “Superzoom”. I think on models like the Canon GX3 and Lumix FZ1000 with long optical zooms it’s very important, you might even say essential. They are just fine for the typical vacationer’s travel pics, but not for a serious photographer who makes large exhibition quality prints and who wants print-publication quality images. When they appear in the frame they’re cautioned with their name which is added as metadata to your shot. Measuring 123x77x105mm and weighing 733g (including battery), it shares a similar chunky style with a generous grip and the same tilting screen mechanism. Canon 6D Review. The two shots below compare the Canon G3X (top) and Lumix FZ1000 (bottom) at their widest focal length and aperture and closest focussing distance. Surprisingly so. ... Canon EOS M200. The screen can also be folded 45 degrees downwards which is enough to get a decent view with it held at arms length above your head. By submitting this form, you are consenting to receive marketing emails from: Luminous-Landscape.com, 1060 North Capitol Ave., Suite C-375, Indianapolis, IN, 46204 United States, http://www.luminous-landscape.com. The G1x MII has found a new home and has been replaced with the G3x. The Canon PowerShot G3 X is a prosumer super-zoom camera with a 1-inch image sensor and 25x zoom lens. But again that’s added expense and you won’t be able to use a flash or other accessories at the same time. The Lumix FZ1000 has a 16x / 25-400mm range, while Sony’s RX10 (Mark I and II) has an 8.3x / 24-200mm range. The 1,620k dot screen provides a detailed view that’s clearly visible in all but the brightest outdoor conditions. There’s no built-in viewfinder, but the hotshoe can accommodate the optional EVF-DC1 electronic viewfinder accessory. Things go a little bit awry with the focus in the middle of the pan but as on the previous clips, the G3X recovers quickly. Now a 1″ sensor, little more than 1/3rd the size (0.37X) produces comparable image quality at ISO 1600. So if you’re prepared to crop the clip in a video editing app you can end up with 1080/25p footage with an effective focal length that actually goes well beyond what the Canon G3X can manage. The G7X Mark II offers the faster maximum aperture… Canon SL1. If you want to compose at eye-level you’ll need to slot on the optional EVF-DC1 viewfinder accessory which, while high quality, adds to the cost and overall size. Coming out, as it has, at the same time as the Sony RX10II, the Canon G3X is handicapped in several ways. The PowerShot G3 X incorporates the same 1-inch sensor as the G7 X, but pairs it with a 25x zoom lens in a body a bit bigger than the G1 X Mark II. The Canon lacks the high-speed shooting capability of the new Sony RX10II and the 4K video capability of that camera as well as the Panasonic FZ1000. The G3X is a little hesitant when changing the focus from near to distant objects and back again and there’s noticeable hunting back and forth, which you get to a degree with all contrast detect AF systems. Personally, I prefer the flexibility of being able to recharge the battery within the camera with a USB connection – as on Sony cameras. Sensor: The canon GX3 X camera features 20 MP 1″ sensor and the Canon G1X Mark II features 12 MP 1.5″ sensor, that clearly means that the photo diodes of the Canon G1X Mark II are big compared to the Canon G3X … It is much more expensive than the Panasonic though it does get more from the same sensor and has a superior performing lens, not to mention somewhat greater reach. No additional stabilization or grading was done in post. And below you can see the results when both cameras are zoomed in to their maximum telephoto focal length and their widest aperture. The lens is first rate. The takeaway though is that at 600mm (where both zooms will be used a lot of the time), the new small Canon actually outperforms the Sony / Tamron combination. More’s the pity, because the G3X is a terrific camera that promises to solve some shooting needs in a unique way. I set a single AF area in the middle of the frame and tried to keep the vehicle number plate centred within it. I love it. Download the original file (Registered members of Vimeo only) The G3X has a longer telephoto reach. This provides not only some flare protection but also allows for the mounting of 67mm filters. Once connected the Camera Connect app offers three options: Images on camera, Remote Shooting and Location information. Stabilization works well. I find the advances in sensor design and image processing circuitry over the past decade quite remarkable. The G3X uses scene detection to determine which effects to apply and it also crops some images to produce new compositions. Since its inception in 1999 LuLa has become the world's largest site devoted to the art, craft, and technology of pho... [ Author’s Page and Articles ]. Tilting touch-screen display. The second frame is of these images magnified on-screen to 100%. On an iPhone for example, having pressed the mobile device connection button on the rear of the camera, you need to go to Settings, then Wifi, select the G3X SSID from the list of networks and then launch the app. Filed Under: Essays, Reviews Tagged With: member-only. Generally the G3X’s AF is quick and responsive, even in low light. You can start recording in any mode by pressing the dedicated record button, but you’ll be able to preview the framing and access other options if you first turn the mode dial to Movie. The G3X also includes the Seek Assist Auto mode introduced on the SX60 HS which automatically adjusts the zoom to keep people the same size in the frame – handy when it’s so easy to lose someone with the camera zoomed-in. Sealed against dust and moisture. Wi-Fi. Whether this is attributable to the smaller pixel pitch of the 1″ sensor on the G3X, or that its lens is sharper is unknown. Both the G3X and the RX10 IV … One is better off locking focus if possible. Below I’ve shown a comparison of respective field of view of the G3X and FZ1000 when both are zoomed in as far as they’ll go – 600mm equivalent on the G3X and 400mm on the FZ1000. Canon 7D. Of course, the addition of it adds bulk and expense. It’s going to take a sophisticated shopper who does their research and who knows exactly what they need to appreciate and choose the G3X. Built-in ND filter. The sequence below shows six frames from a sequence I captured of a jeep approaching at about 25mph. It combines enthusiast-friendly manual control with heavily … May not be used without permission. Such tiny sensors simply can’t provide the image quality that I’m looking for. Announced in June 2015, the G3X slots roughly between the PowerShot G7X and G1X Mark II, but offers a unique proposition in the Canon … Panasonic decided to go for longer reach, offering a variable f/2.8–f/4 aperture range and 25-400mm equivalent focal length. My most recent was the G1x Mark II which I loved. Resembling the EOS M3 externally, the G3X has a 3.2in touchscreen for composition which can angle down by 45 degrees or up by 180 degrees for selfies. In my review below I’ve tested the Canon G3X alongside one of its biggest competitors, Panasonic’s Lumix FZ1000 and I’ve also drawn comparisons with Sony’s RX10 I and II. There’s also manual focus of course, activated by pressing the MF buton on the lens barrel. What you can’t do though is change the exposure mode without physically turning the dial on the camera, nor adjust things like the white balance or image quality, despite icons for them being optionally viewable on the remote live view. The Panasonic app also offers more comprehensive settings including the ability to change white balance, image size and quality, metering mode and more (though not the shooting mode). With the video system set to PAL, you can record in 1080 / 50p, 1080 / 25p, 720 / 25p or VGA / 25p. Finally, if you choose to connect to a wireless access point during playback on the G3X, you can upload images directly from the camera to various social services including Flickr, Facebook, Twitter, YouTube, Google Drive, or a direct image sync with your computer. For reasonably close subjects in very dim conditions the AF assist lamp makes a significant difference to your chances of success, but even without it the G3X can lock on to a subject in a fraction of a second, albeit a long fraction when the light levels are very low and your subject is distant. The Canon Powershot G5 X Mark II offers an updated high-speed 20mp 1inch sensor, with up to 30/20fps depending on whether you are shooting raw or JPEG, and 4K video … Above right: Canon G3X : Monochrome, Above left: Canon G3X : Super Vivid. There’s really no getting away from the fact that if you really do need to get close to your subject from a distance, the Canon G3X’s 600mm telephoto provides a big advantage. I’ll start with the lens, a 25x optical zoom equivalent to 24-600mm with an f2.8-5.6 focal ratio. In marketing terms, a Unique Selling Proposition (USP) is something that gives one product an edge over others. Above: This clip, like the others below was shot in the Canon G3X’s best quality 1080/50p video mode. So while the FZ1000’s brighter lens is an advantage in low light situations, enabling you to use a lower ISO sensitivity setting with the same shutter speed and aperture as the G3X, it won’t necessarily give you shallower depth of field at the wide angle settings if you’re prepared to move a little closer or a the telephoto end of the range if you’re happy to zoom in a little more. Emails are serviced by Constant Contact. The tripod socket is off center, but interestingly has a second pin hole for use with video tripod plates. I was pleased to note that the card and battery door on the base is a solid design, unlike on so many cameras where companies cheap-out and have thin plastic covers. These shots were taken hand-held at between 400mm and 600mm equivalence. The G3X also includes the Smart shutter modes which automatically fire the shutter when a smile is detected or start the self time when you wink or when a new face enters the frame. Nikon Z TC-1.4x TC-2.0x teleconverter review. You can revoke your consent to receive emails at any time by using the SafeUnsubscribe SafeUnsubscribe® link, found at the bottom of every email. Mic and headphone connections. For stills shooting it has three settings – off, continuous and shoot only; the last one activates stabilisation a moment before the exposure not, as you might suppose, when you half-press the shutter release. It should be noted though that f/2.8 is only available at the wide end of the range, and the lens quickly starts being limited to f/4 over the mid-range focal lengths. Download the original file (Registered members of Vimeo only) Above right: Lumix FZ1000 at 146mm (400mm equivalent). So while there’s limited scope for increasing the Lumix FZ1000’s range with stills, for video it’s a different story if you shoot using the 4K video mode. Choose One-point and the single AF area can be positioned using either dial or by tapping the touch-screen. If you’re someone who doesn’t want or need an EVF, then the math is simple. Canon T6s (EOS 760D) Canon T6i (EOS 750D) Canon 5DS and 5DS R. Canon 7D Mk II. Instead, there is an optional accessory EVF, the Canon EVF-DC1. You can choose to have the camera reframe based on the face, upper body or the full body, and it works whether the person moves away or towards you, or moves off to the side. So, I simply moved on and now test and use products from companies who do appreciate dealing with me… which frankly is almost every other camera maker on the planet, except for Canon. In summary, video from the G3X is “OK“, but unremarkable. For someone looking for pro-level image quality in a moderately sized camera with a reach out to 600mm equivalence, nothing can touch the G3X. It’s in a tough neighbourhood, and Canon doesn’t seem to be telling this camera’s story well enough to rise above the chatter about Sony’s sexy new offering. Enjoy shooting with long lenses image stabilisation which shifts the lens, 25x! 25-400Mm equivalent focal length of 200mm for the reason why it ’ a... Another camera over Wifi, or print them on a wrist strap base is not acceptable anything... And compromises, but at f/4, and it would be lovely it! G7X Mark II … Quick Verdict number plate centred within it about small sensor cameras with long.! 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